Drawing Media · 绘画媒介
| English | 中文 | Pinyin · 拼音 |
|---|---|---|
| media/ˈmiːdiːə/ | 媒介 | méi jiè |
| dry media/draɪ ˈmiːdiːə/ | 干性媒介 | gàn xìng méi jiè |
| wet media/wet ˈmiːdiːə/ | 湿性媒介 | shī xìng méi jiè |
| tooth/tuːθ/ | 纸纹 | zhǐ wén |
| hatching/ˈhætʃɪŋ/ | 排线 | pái xiàn |
| cross-hatching/krɒs ˈhætʃɪŋ/ | 交叉排线 | jiāo chā pái xiàn |
| stippling/ˈstɪplɪŋ/ | 点画 | diǎn huà |
Marks on a surface
- Media 媒介 are the materials an artist works with.
- Drawing media make marks directly on a surface — the foundation of most 2-D work.
- They split into dry and wet types.
表面上的痕迹
- 媒介(media)是艺术家使用的材料。
- 素描媒介直接在表面上留下痕迹——大多数二维作品的基础。
- 它们分为干性和湿性两类。
Dry and wet
- Dry media 干性媒介: graphite (pencil), charcoal, conté, chalk and oil pastel.
- Wet media 湿性媒介: pen and ink, brush and ink, markers.
- The paper's tooth 纸纹 (texture) changes the line and value possible.
干与湿
- 干性媒介(dry media):石墨(铅笔)、木炭、孔特笔、粉笔和油画棒。
- 湿性媒介(wet media):钢笔和墨水、毛笔和墨水、马克笔。
- 纸的纸纹(tooth,质感)改变可能的线条和明度。
Dry or wet drawing media? · 干性还是湿性绘画媒介？
Sort each drawing medium as dry or wet. · 将每种绘画媒介归类为干性或湿性。
Building value with many parallel lines is called... · 用许多平行线构建明暗的方法称为...
Hatching builds value with parallel lines; cross-hatching layers them. · 排线 (Hatching) 用平行线构建明暗；交叉排线则是叠加它们。
The tooth of the paper affects the marks a dry medium can make. · 纸张的纹理会影响干性媒介留下的痕迹。
Rougher tooth grabs more pigment, giving grainier, darker marks. · 较粗糙的纹理能抓住更多颜料，产生更颗粒状、更深的痕迹。
Building value from many tiny dots is called . · 用许多微小圆点构建明暗的方法称为。
Stippling uses dots to build value and texture. · 点画法 (Stippling) 使用圆点构建明暗和质感。
Select all · 所有 dry drawing media. · 选择所有干性绘画媒介。
Pencil, charcoal, and oil pastel are dry; brush and ink is wet. · 铅笔、炭笔和油画棒是干性媒介；毛笔与墨水是湿性媒介。
Match each technique to its marks. · 将每种技法与其产生的痕迹匹配。
Hatching = parallel; cross-hatching = crossed; stippling = dots. · 排线 = 平行线；交叉排线 = 交叉线；点画法 = 圆点。
Mark-making
- Techniques include hatching 排线, cross-hatching 交叉排线, stippling 点画, and blending.
- These build value and texture from many small marks.
- Drawing is used both to investigate ideas and to make finished works.
笔触技法
- 技法包括排线(hatching)、交叉排线(cross-hatching)、点画(stippling)和晕染。
- 这些用许多小痕迹建立明度和肌理。
- 素描既用于探究想法,也用于创作成品。
Drawing is not only for finished pictures. Artists use quick drawings to investigate ideas — testing compositions, studying light, planning a painting. In the AP portfolio, process drawings are valuable evidence of your thinking, not just throwaways.
素描不只用于成品图。艺术家用快速素描来探究想法——测试构图、研究光线、规划一幅画。在 AP 作品集中,过程素描是你思考的宝贵证据,而非可丢弃的东西。
To draw dark, even shadow, an artist lays parallel hatching lines, then crosses them with cross-hatching for deeper value. On rough paper (high tooth), the same pencil gives grainier, darker marks than on smooth paper.
要画出深而均匀的阴影,艺术家铺平行的排线,然后用交叉排线叠加以加深明度。在粗糙的纸(高纸纹)上,同样的铅笔比在光滑纸上给出更颗粒、更深的痕迹。
Drawing media make marks on a surface. Dry media (pencil, charcoal, pastel) and wet media (pen, ink, markers) behave differently, affected by the paper's tooth. Mark-making techniques — hatching, cross-hatching, stippling — build value and texture.
素描媒介在表面上留痕。干性媒介(铅笔、木炭、粉彩)和湿性媒介(钢笔、墨水、马克笔)表现不同,受纸的纸纹影响。笔触技法——排线、交叉排线、点画——建立明度和肌理。