Colored Pencil and Pastel · 彩色铅笔与粉彩
| English | 中文 | Pinyin · 拼音 |
|---|---|---|
| dry colour media/draɪ ˈkʌlə ˈmiːdiːə/ | 干性彩色媒介 | gàn xìng cǎi sè méi jiè |
| colored pencil/ˈkʌləd ˈpensl/ | 彩色铅笔 | cǎi sè qiān bǐ |
| burnishing/ˈbɜːnɪʃɪŋ/ | 压光 | yā guāng |
| oil pastel/ɔɪl ˈpæstl/ | 油画棒 | yóu huà bàng |
| soft pastel/sɒft ˈpæstl/ | 软色粉 | ruǎn sè fěn |
| sgraffito/ˈesɡræfiːtəʊ/ | 刮画法 | guā huà fǎ |
| complement/ˈkɒmplɪmənt/ | 互补色 | hù bǔ sè |
Colour, layered
- Colour enters drawing through dry colour media 干性彩色媒介 — fully allowed in the Drawing portfolio.
- Colored pencil 彩色铅笔 builds colour in transparent layers.
- Burnishing 压光 — a heavy final layer — fuses the layers glossy and solid.
层叠的色彩
- 色彩通过干性彩色媒介(dry colour media)进入素描——绘画作品集完全允许。
- 彩色铅笔(colored pencil)以透明的层建立颜色。
- 压光(burnishing)——最后重压的一层——把各层熔成光滑坚实的表面。
A heavy final layer that fuses colored-pencil layers glossy and solid is called . · 厚重的一层最终覆盖使彩色铅笔层融合成光亮且实心的表面，这被称为。
Burnishing fuses the layers. · 磨平使各层融合。
Soft and oil pastel
- Soft pastel 软色粉 is almost pure pigment — paint-like colour with drawing gestures.
- Oil pastel 油画棒 is creamy and smudge-resistant; layered, it scratches through (sgraffito 刮画法).
- Toned paper unifies pastel work — let the ground breathe between strokes.
软色粉与油画棒
- 软色粉(soft pastel)几乎是纯颜料——用素描的手势涂出颜料般的色彩。
- 油画棒(oil pastel)细腻、不易蹭花；层叠后可刮穿（刮画法 sgraffito）。
- 有色纸统一色粉作品——让底色在笔触之间呼吸。
Colour-media move: smart or mistake? · 色彩媒介运用：明智之举还是失误？
Sort each move as sound colour practice or a common mistake. · 将每种做法归类为合理的色彩练习还是常见错误。
The best way to darken a colour is to add black. · 加深颜色的最佳方法是添加黑色。
Layer the complement instead — black deadens the colour. · 应叠加互补色——加黑会使颜色变得死板。
Select all · 所有 dry colour media allowed in the Drawing portfolio. · 选择所有素描集允许的干性色彩媒介。
Casting is not a dry drawing medium. · 铸造不是干性绘画媒介。
Value still rules
- Grey a colour by layering its complement 互补色, not by adding black — shadows stay alive.
- Get the values right and almost any hue works; get them wrong and no hue can save it.
- Colour is a drawing decision — say why you chose it in your written evidence.
明度仍是王
- 用叠加互补色(complement)把颜色压灰，而不是加黑——阴影保持鲜活。
- 明度对了几乎任何色相都行；明度错了任何色相都救不了。
- 颜色是一个绘画决定——在书面材料里说明你为什么选它。
Soft pastel is almost pure . · 软粉彩几乎是纯粹的。
That is why it reads as painterly colour. · 这就是为什么它呈现出绘画般的色彩效果。
Match the medium to its trait. · 将媒介与其特性匹配。
Three dry colour media. · 三种干性色彩媒介。
Reaching for black to darken a colour deadens it — the shadow turns grey and muddy. Darken with the colour's complement or a deeper related hue instead, and the colour keeps its life.
用黑色去压深一个颜色会让它死掉——阴影变得灰而脏。改用它的互补色或更深的相关色相来压深，颜色就保住了生命力。
A red apple in colored pencil: layer red, then deepen the shadow with green (its complement) instead of black; burnish the highlight side smooth; leave the toned paper as the mid-value. The apple glows instead of going grey.
彩色铅笔画红苹果：先铺红色，再用绿色（它的互补色）而不是黑色加深阴影；把受光侧压光磨匀；让有色纸作为中间明度。苹果发光，而不是发灰。
Dry colour media are portfolio-legal: colored pencil layers and burnishes; soft/oil pastel is pure pigment; darken with the complement not black — and value still rules over hue.
干性彩色媒介在作品集中合法：彩色铅笔层叠并压光；软色粉/油画棒是纯颜料；用互补色而非黑色压深——明度仍然凌驾于色相之上。