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국제바칼로레이트 · IB Diploma · Dance · HL 주제 1 2:57 영어 내레이션 · 영어 + 중국어 자막 burned-in
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Composition starts from a motif, a small movement cell.
编创从动机开始，即一个小的动作单元。
Development transforms it.
发展使它发生变化。
Form and contrast organise the work in time.
结构和对比在时间上组织作品。
And the analytical statement explains the decisions.
分析陈述则解释各项决定。
At HL you compose three works, totalling 8 to 15 minutes, submitted on video.
高级课程要编创三部作品，总长 8 到 15 分钟，以视频提交。
At least two must contrast.
至少两部必须形成对比。
An analytical statement examines the making of one of them.
一份分析陈述考察其中一部的创作过程。
The task is worth 35%.
这项任务占百分之 35。
A motif is the smallest phrase that carries the dance's intention: small enough to transform, and recognisable enough to anchor the work.
动机是承载舞蹈意图的最小乐句：小到可以变化，又足以辨认，成为作品的锚点。
In the example, the motif is a reach that collapses at the elbow.
在例子中，动机是一个在肘部塌落的伸展。
Repetition brings the cell back so meaning accumulates.
重复让动作单元回归，意义随之累积。
Variation changes timing, dynamics or facing.
变奏改变时间、力度或朝向。
Transposition moves it to a new body part or level.
移位把它移到新的身体部位或水平。
Retrograde performs it backwards.
逆行把它倒过来表演。
Accumulation stacks cells into longer phrases.
累积把单元叠成更长的乐句。
In the trio Reach, repeating the motif seven times with shrinking range reads as exhaustion.
在三人舞《伸展》中，动机重复七次、幅度逐渐缩小，读作精疲力竭。
Sudden against sustained dynamics reads as resistance.
突然与持续的力度对比，读作抗拒。
Retrograde, collapse first and reach last, closes the work by reversing its story.
逆行，先塌落后伸展，以反转故事的方式结束作品。
Form is how the work organises time.
结构是作品组织时间的方式。
A common structure is statement, departure and return.
常见结构是陈述、离开和回归。
Whatever the form, the viewer should feel the return.
无论哪种结构，观众都应当感受到回归。
Contrast runs inside one dance, through levels, tempo, density and dynamics.
对比存在于一部舞蹈内部，体现在水平、速度、密度和力度上。
It also runs across the works: at least two of the three must differ in subject or approach, or the submission reads as one work three times.
它也存在于作品之间：三部中至少两部必须在题材或方法上不同，否则提交的作品看起来像同一部作品做了三遍。
Reach flows and uses floorwork.
《伸展》流畅并使用地面动作。
Doorframe contrasts completely: unison walking, no floorwork, a motif built from a stopped gesture.
《门框》形成完全对比：齐步行走、没有地面动作、动机来自一个停顿的手势。
Counting House contrasts again by structure: accumulation only, no retrograde.
《账房》又以结构形成对比：只用累积，不用逆行。
Reach runs 4:30, because seven shrinking repetitions need time to exhaust.
《伸展》4 分 30 秒，因为七次缩小的重复需要时间耗尽。
Doorframe runs 5:00, as unison walking earns its length slowly.
《门框》5 分钟，齐步行走需要慢慢积累长度。
Counting House runs 2:30: accumulation is dense and ends itself.
《账房》2 分 30 秒：累积很密集，自行结束。
Total: 12:00.
合计 12 分钟。
The Reach statement names the problem: the collapse read as an accident.
《伸展》的陈述先指出问题：塌落看起来像意外。
It records the trials: slower, weighted and silent collapses.
再记录尝试：更慢、加重和无声的塌落。
It gives the fix: a weighted collapse with the breath audible.
然后给出解决办法：加重的塌落，呼吸声清晰可闻。
And the lesson: a motif's meaning is set by its development.
最后是收获：动机的意义由发展决定。
Check yourself.
自我检测。
The smallest phrase carrying the intention is the motif.
承载意图的最小乐句是动机。
A cell performed backwards is retrograde.
倒过来表演的单元是逆行。
At HL you submit three works in 8 to 15 minutes.
高级课程提交三部作品，共 8 到 15 分钟。
The statement analyses one dance.
陈述分析一部舞蹈。
And a motif's meaning is set by its development.
动机的意义由它的发展决定。