Encenar textos teatrais
International Baccalaureate · IB Diploma · Theatre · HL Tópico 1 2:43 Narração em inglês · Legendas em inglês + 中文 gravadas
Capítulos
Transcrição
The production proposal goes from text to vision to document.
制作方案从文本到构想，再到文件。
Read the play as a theatre-maker, form one governing concept, and write a proposal the examiner can see.
以戏剧创作者的眼光阅读剧本，形成一个统领全局的概念，写出考官能“看见”的方案。
Choose a published play you have not studied, and plan the design and theoretical staging of the whole play.
选择一部你没有学过的已出版剧本，为整部戏规划设计和理论上的舞台呈现。
The proposal is at most 12 pages and 4,000 words, and is worth 20% at HL.
方案不超过 12 页、4,000 词，在高级课程中占百分之 20。
The read asks what the play demands: the given circumstances, the facts the text fixes; the spine, the protagonist's through-line of want; the action units, where want meets obstacle; and the world, with its rules and costs.
阅读要问剧本要求什么：规定情境，即文本确定的事实；主线，即主人公欲望的贯穿线；行动单元，即欲望遇到阻碍的地方；以及剧中世界的规则和代价。
The read finds a mortgaged house, a spine in the daughter's fight to leave, units that each strip her of an ally, and a world where love is currency.
阅读发现：一栋抵押的房子，主线是女儿争取离开，每个单元都让她失去一个盟友，而剧中世界以爱为货币。
The one-sentence argument: this staging shows a family eating its young to keep its house.
一句话的主张：这版演出展示一个家庭为了保住房子而吞噬自己的孩子。
A concept is not a decorative theme like loneliness. It is a performance argument: the room shrinks as each daughter leaves.
概念不是“孤独”这样的装饰性主题，而是一个表演上的主张：房间随着每个女儿离开而缩小。
A concept that cannot stage the ending is a mood, not a concept.
无法呈现结尾的概念只是一种情绪，而不是概念。
The set's walls track in each act.
布景的墙每一幕向内移动。
Costume holds the period but fades.
服装保持年代感但逐渐褪色。
Light narrows to a lamp's circle.
灯光收窄成一盏灯的光圈。
Sound lets the house's own noises rise as people leave.
音效让房子自己的声音随着人们离开而增强。
And the space can trap the audience.
空间可以把观众困住。
Where the audience sits decides what they are.
观众坐在哪里，决定他们是什么。
End-on or proscenium makes fourth-wall voyeurs.
尽端式或镜框式舞台让他们成为第四堵墙后的窥视者。
A traverse makes trapped witnesses who cannot intervene.
穿越式舞台让他们成为无法干预的受困见证者。
Promenade makes them ghosts.
漫游式让他们成为幽灵。
The opening image: the family eats at a table filling the stage, walls wide.
开场画面：一家人围坐在占满舞台的餐桌旁，墙壁敞开。
The pivot: the walls have halved the room.
转折点：墙已把房间缩小了一半。
The final image: the parents face the table in a pool the size of a plate.
结尾画面：父母面对餐桌，坐在只有盘子大小的光圈里。
Structure the document in five parts: the play and its world, briefly; the concept, stated and unpacked; the three moments; the design areas, each tied to the concept; and the audience's position.
文件分五部分：剧本及其世界，简要介绍；概念，陈述并展开；三个时刻；各设计部门，每个都与概念相连；以及观众的位置。
Three classic failures: the literature essay, analysis where direction belongs; the mood board, pictures without an argument; and the concept drop, a strong sentence the pages never cash.
三种典型失败：文学论文，在需要导演构思的地方写分析；情绪板，只有图片没有主张；概念落空，一句好话在后面的篇幅里从未兑现。
Check yourself.
自我检测。
The protagonist's through-line is the spine.
主人公的贯穿线是主线。
Loneliness is a theme, not a concept.
“孤独”是主题，不是概念。
A traverse audience becomes trapped witnesses.
穿越式舞台的观众成为受困的见证者。
The three moments are the opening, the pivot and the final image.
三个时刻是开场、转折点和结尾画面。
And the limits are 12 pages and 4,000 words.
限制是 12 页、4,000 词。